Gabrielle Hoad

• About
• Artworks
  • Delicate Instruments
  • Clouded Border
  • Ghost Moth
  • The whistle draws attention
    to the signal
  • Salt-cat (keeps them at home)
  • Turn (the) leaves
  • Fatal exchanges
  • pigeon steps
  • lie lie lie
  • Street Rockery
  • A house of leaves
  • Hide
  • The Luminous Envelope
  • Feed
  • Columbarium (all that remains)
  • The further away they are
  • The Geometry of Air
  • Interloper
  • Listen to Easterbrooks
  • The Great British Banana
  • Mutter Erde
  • Is and Was
  • Observatory
  • River Bovey Walk
  • Space as defined by two
    separate systems
  • The spaces where things
    have been
  • I draw them. They draw me.
  • What the world becomes
• Projects
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  • Read (to) the trees
  • The Buffer Zone
  • Preston Street Union
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  • Solid Air
  • Foreign Soil
  • HEIST
  • Stowage
  • Exeter Studios Project
• Moving Image
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  • Orbit
  • the predecessor to your prayer
  • Crosstalk
  • Bound
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Fatal exchanges | 2017 | Found objects, sound, text, urine, drawing pins

Research-based, site-responsive installation made with Megan Calver on the privately owned Cotley Estate. Drawing inspiration from a text Murder in the Kitchen by Alice B Toklas, the work examines a network of deaths resulting from instinct, accident, pleasure and necessity. Its starting point was an event in 1832 when the hounds of the Cotley Hunt were struck by the rabies virus and the Master of the Hunt had to shoot all but one of them. There is also a 12-page publication to accompany the work. Made for 'Prospect' (2017).