Gabrielle Hoad

• About
• Artworks
  • The Signal and the Noise
  • Delicate Instruments
  • Clouded Border
  • Ghost Moth
  • Night Piece
  • The whistle draws
    attention to the signal
  • Hiding places (home from home)
  • Salt-cat (keeps them at home)
  • Turn (the) leaves
  • Fatal exchanges
  • pigeon steps
  • lie lie lie
  • Street Rockery
  • A house of leaves
  • Hide
  • The Luminous Envelope
  • Feed
  • Columbarium (all that remains)
  • The further away they are
  • The Geometry of Air
  • Interloper
  • Listen to Easterbrooks
  • The Great British Banana
  • Mutter Erde
  • Is and Was
  • Observatory
  • River Bovey Walk
  • Space as defined by two
    separate systems
  • The spaces where things
    have been
  • I draw them. They draw me.
  • What the world becomes
• Projects
  • Clouded Border
  • Read (to) the trees
  • The Buffer Zone
  • Preston Street Union
  • LEAN
  • Solid Air
  • Foreign Soil
  • HEIST
  • Stowage
  • Exeter Studios Project
• Moving Image
  • The Signal and the Noise
  • Two-handed timekeeper
  • Orbit
  • the predecessor to your prayer
  • Crosstalk
  • lark stone
  • Bound
• Writing
• Shop
• Contact

Gabrielle Hoad's writing on art has appeared in a variety of online and print publications including Digital Creativity, a-n magazine, Skelf, Art Cornwall and TRACEY, the contemporary drawing research journal. Commissioned writer for a-n magazine and Art Cornwall. Speaker and facilitator, Spacex Review Group 2010-2011.