Gabrielle Hoad

• About
• Artworks
  • Delicate Instruments
  • Clouded Border
  • Ghost Moth
  • The whistle draws attention
    to the signal
  • Salt-cat (keeps them at home)
  • Turn (the) leaves
  • Fatal exchanges
  • pigeon steps
  • lie lie lie
  • Street Rockery
  • A house of leaves
  • Hide
  • The Luminous Envelope
  • Feed
  • Columbarium (all that remains)
  • The further away they are
  • The Geometry of Air
  • Interloper
  • Listen to Easterbrooks
  • The Great British Banana
  • Mutter Erde
  • Is and Was
  • Observatory
  • River Bovey Walk
  • Space as defined by two
    separate systems
  • The spaces where things
    have been
  • I draw them. They draw me.
  • What the world becomes
• Projects
  • Clouded Border
  • Read (to) the trees
  • The Buffer Zone
  • Preston Street Union
  • LEAN
  • Solid Air
  • Foreign Soil
  • HEIST
  • Stowage
  • Exeter Studios Project
• Moving Image
  • Two-handed timekeeper
  • Orbit
  • the predecessor to your prayer
  • Crosstalk
  • Bound
• Writing
• Shop
• Contact

Observatory | 2009-10 | Mirrors and bamboo canes

Consisting of a group of small mirrors mounted at eye height, this work refers to the way we mediate our relationship with the landscape, from the Claude glass (darkened mirror) used by 18th century seekers of the picturesque, to modern-day cameras. Created as site-specific work for '10 Artists Walk a Farm' (2009) and re-made for 'Nexus' (2010).